What People Say About Nina

A series of unsettling and ambiguous moving images that melt into each other and are played out to a pounding, perfectly pitched soundtrack by Nina West that gets inside your head like an itch.
THE GUARDIAN on “The Cleansing of Constance Brown” by Stan’s Café   

Nina’s fertile imagination and tremendous visual sense feed into her music, she understands exactly how music should work in theatre. She combines an intelligent grasp of the show’s drive with an instinctual empathy for its emotional subtext. She has the courage to make bold choices and her impish sense of fun means she is apt to surprise you with something that you initially think won’t work but which in practice reveals itself to be the perfect solution for a problem you didn’t recognise you had. Her innate modesty allows her music to contribute hugely to a show without drawing undue attention to itself. Her presence in the devising team was a comfort to us all.
James Yarker, Director, Stan’s Café

The thumping electronic score by Nina West generating enough dynamic variation to sustain the show’s concept over a hefty 90 minutes: a masterclass in composition and flow.
THE GUARDIAN  on “THE CAPITAL” by Stan’s Café